ARM Backup/Ar Portal translation/Ar Ciel Technical Data Compilation Room/Issue 10
こんにちは、土屋です。 |
Hello everyone, Tsuchiya here. |
今回の「謳う丘~Ar=Ciel Ar=Dor~」は、私も「謳う丘」での作詞作編曲のみならず、「Afezeria HARVESASYA」の作詞と、初回特典ブック(通称伝承本)の全執筆も行っています。アルトネリコ3部作を一通り語り終え、世界観が一周した事もあり、惑星アルシエル全体に関わる部分である「神話」をベースとして惑星全体の設定が主役となる、自分としては願ってもない機会でした。 |
In this album, [Singing Hill -Ar=Ciel Ar=Dor-], I once again had the task of composing, arranging and writing the lyrics for this version of [Singing Hill], as well as writing the lyrics for [Afezeria HARVESTASYA] and writing the entirety of the book (popularly known as the legend book) that comes bundled with its first press edition. As talks for the work on further games ended for the time being with Ar tonelico 3's release and the world setting completed a cycle already, I was wishing I could have one more chance to make something else based on the entirety of Planet Ar Ciel, more specifically having the [myths] of said Planet be the main focus, and this album ended being that precisely. |
今回、詩の想いとして「謳う丘」のみならず、各地方の伝承4曲にも1つずつ物語があります。それらに付随する形で、上記のようなその地方の世界設定ページ も用意しました。恐らくこれが、死の雲海で覆われる前のアルシエルの唯一の設定資料となるのではないかと思います。ご興味がある方は、ガストショップでも 本日から再版スタート(現時点で注文しても発売日には届きません、ご了承下さ い)しましたし、amazonやアニメイト店頭などでの販売はまだ有りますので是非ゲットしてくださいね。 |
This will contain the Feelings Contained in this version of [Singing Hill], as well as containing the stories for each one of the four songs representing the myths from each of the four regions of Ar Ciel. Additionally, each of these regions will have a setting page attached to them that I've prepared myelf. I think that most likely this will be only setting materials collection that will be displayed about how Ar Ciel was prior to being covered by the Sea of Death. If you're interested, you can go to the Gust Shop and order the reprinted edition, starting today (although if you order right now, be warned that there's no guarantee that we can deliver it by the release date), or go get it from Animate and other online retailers. |
さて、本日の質問に対する回答です。 |
Well then, today I've answered quite a few questions, too. |
こんにちは、編さん室やトウコウスフィアを、いつも楽しく拝見させていただいております。 |
Hello, it's always a fun to take a look to the Technical Data Room and the Toukousphere. |
ダイブの実質の限界時間はありません。ただ、人間の生理的な代謝などは止まりませんので、自ずと限界は訪れます。またダイブ屋の場合、商売であり、また安全の為にもタイムリミットが設定されています。そういった規則としてのタイムリミットは3時間程度です。 |
Diving itself doesn't have a time limit, but since the metabolism of the humans wouldn't stop regardless of any reason, if they went Diving for too long, they would eventually die from it. This is why the Dive industry and businesses decided to set a time limit to the Dives for safety reasons. Said time limit is of around three hours. |
土屋さんおつかれさまです。 |
Tsuchiya-sama, thank you for all your hard work. |
「フィラメントの心臓」というのは、そもそもフィラメントが生まれながらにして持つ物理的なボディが患っているフィジカルなものではなく、フィラメントのSH波(=魂)の心的外傷(トラウマ)が、無意識にサキの精神世界で「肉体的な心臓が無い設定」となって現れているものです。ですから、質問を厳密に回答すれば「惑星再生によって心的外傷が軽減され、以後サキの精神世界や、機会があるのであればフィラメントの精神世界にダイブする場合、自己設定において心臓が再生している可能性は高い」という感じになります。 |
That scene with [Filament's Heart] doesn't mean that she was actually ill after she was born with a physical body, it just means that her SH-Waves (soul) sustained a massive emotional trauma, which was unconsciously reflected in Saki's Soulspace as [the plot in which she didn't have a corporeal heart]. So if I had to concretely answer the question, it would be more or less that "the Planet's restoration greatly reduced her emotional trauma, so if we had the chance to Dive into Saki's Soulspace again, or directly into Filament's Soulspace after the restoration took place, there would be a high probability of the her heart reappearing due to how that setting was structured". |
塔周辺の環境は彩音回廊やひねもすの羽根で制御されていますが、それによりその影響範囲周辺の環境には影響は出ますか? |
The Musical Corridors and the Wings of Hynemos control the weather around the Towers, but can they also exert some kind of influence over the environment inside their active ranges? |
彩音回廊は電波と同じで「人工的な波動の作用」による環境構築ですので、原理的には携帯電話の基地局と圏内の関係と同様です。その「内側」か「外側」か、というのは曖昧なラインで明確に「ここまで」と言えるほど厳密ではありません。ただ、境界付近の1kmくらいになると、彩音回廊の影響が弱まる為、大自然側のD波法則との衝突が常に発生している状態になります。その場合エネルギーが強い方が勝つ為、(体感的な)境界線は日々変動しています。(至ってシンプルな話で、例えばアルシエル側から台風が来れば外縁から2kmくらいは暴風域になりますし、逆に彩音回廊が台風を作れば、本来影響範囲内ではない筈の+1km程度までは雨が降るなどの影響が出ます)。 |
The Musical Corridors are basically environmental construction systems that employ [artificial wave effects] similarly to how we use radio waves, so physically speaking, they have the same relationship that the base stations for mobile phones have with their environment. Therefore, it isn't really possible to define where their range [starts] and where it [ends]. However, the boundary of their influence is around a kilometer in width, so as the influence of the Musical Corridors weaken, the more their waves collide with the D-Waves produced by nature. In these cases, the waves with the strongest energy win, so the (physical) environment would undergo several changes daily. (In a more simple way, if a typhoon created by Ar Ciel appeared in a 2 kilometer area in the boundary of the Musical Corridor's influence area, it would turn it into a storm zone; while on the contrary, if the Corridor created the typhoon, the storm would have its area of effect in an additional kilometer that isn't supposed to be under the Corridor's influence). |
chmod b111000000/nについて質問させて頂きます。 |
I have a question about chmod b111000000/n. |
原則として、512種類存在する事になります。ただ当然使わないモードは山のようにあるわけで、デジタル故の総当たりといった所でしょう。そもそもchmodの行使権が与えられているのはchmodで権利が与えられている人のみですので、その起点がハーヴェスターシャに存在する以上、ハーヴェスターシャが何らかの異常状態でセキュリティホールを作ったり、AIがとち狂って変なモードにしない限り、「あり得ないパターン」を設定する事はあり得ないわけです。 |
As a general rule, there are a total of 512 mode change types. However, that also means that there are several modes that will never be used and only exist due to how the digital systems are structured. In the first place, chmod's usage was originally intended only to give access rights to the humans after Harvestasha was created, in case anything happened to her and that unusual situation created a security hole; although they also limited the number of modes to keep anyone from toying with the AI and changing her to an strange mode, so the unused modes were configured as [impossible patterns] so no one could ever use them. |
2のスピカの店での会話で、1のカードの話が出た時に、ジャクリが司祭と戦ったことについてクロアがひどく驚いていましたが、メタファルスの社会に、司祭という職業が成立するのですか? エレミア三謳神もそこまで熱心に信仰されているようではありませんし…。 |
Among the conversations that we could have in Spica's store in 2, there once was a conversation about the Ar tonelicards from 1, in which Croix was extremely shocked learning that Jakuri had fought a Bishop. There are any organizations that have a rank such as Bishop in the Metafalssian society? I didn't think that the belief on the Trio of Elemia was so passionate... |
正直なところお話ししますと、厳密な名称についての配慮をしていなかったというのが実際です。 |
Honestly speaking, it was because we didn't seriously ponder about the title. |
歌が重要な要素の世界ですが、歌会のようなものまたは短歌のような短い歌もあるのでしょうか。
(マスカルポーネ) |
Given that songs are such an important part of the world, do they have things such as song competitions and short songs like the tanka? |
いわゆる日本流の「短歌」という概念は有りませんが、語呂の良い言葉遊びとしての5-7-5的な文化はあります。基本的には音程のある、ある程度長い歌がメインです。 |
They don't have the same concept of [tanka] we have here in Japan, but their culture does have a word play of lining up words that sound nice together in a 5-7-5 pattern. The main idea is that the further a culture has a fundamental musical interval, the longer their songs will be. |
前回は質問にお答えしていただきありがとうございました! |
Thank you for all your hard work in answering the questions! |
完全に消滅しきっていない意志はほとんど復活を遂げています。スズノミアも当然復活しています。他にも設定集に出てくるシャラノワールなども瀕死でしたが復活しています。ただ、もう一片の波動も残っていない惑星の意志は復活できません。その変則的な例としては、サキルートのサキです。 |
As long as they haven't vanished completely, it'll be mostly possible to bring these Wills back. Suzunomia revived too, naturally; like also did Shelanoir, who was in the verge of death as we explained in the Setting Materials Collection. However, if not even a part of the waves that comprised a Will remain, it won't be possible to bring him or her back. The only exception to this was Saki in her own route. |
メタファリカ大陸の気候ってどうなっているんでしょうか? |
How does the weather work in the Metafalica continent? |
メタファリカ創成とは「土の大地を作ること」ではない、とゲーム中でも話をしているように、影響圏内における全てを創り出すものです。要するに、インフェルピラを中心とした半径数十キロの球体内の全てを創り出しているわけです。物質社会に住んでいると理解がしにくいのですが、メタファリカ的に見れば圏内にある「土の大地」はたまたま個体であり、圏内にある「空気」はたまたま気体である、それだけの事なのです。ですから、足下にインフェルピラが創った土があるように、身のまわりにはインフェルピラが創った空気があります。 |
The creation of Metafalica isn't just creating a [lump of dirt], but the creation of everything that exists within its area of influence, as we also explained in the game. In other words, it creates a sphere of several dozens kilometers of radius around Infel Phira. It might be hard to understand to those who live in a materialistic civilization, but examining this from a Metafalica-like point of view, the [lump of dirt] inside its area of influence is an individual living body, while the [air] is its breath. Therefore, similarly to how Infel Phira is still located under Metafalica, Infel Phira still continues creating the air present in the area around itself. |
ふと疑問に思ったことなのですが、第一塔にはテレモはあるのでしょうか? |
This is a question I suddenly thought up, but... there are Telemos in the First Tower? |
第一塔にも世界設定的にはテレモは存在します。ただ、アルトネリコ1制作当時は、実は「よりファンタジー的な世界に見えるように」バイアスをかけていた(これはプロモーション的理由で、当時、初見RPGの第一印象の良さでは「ファンタジー>現代もの」という観念がありました)為、敢えて現代の文明社会を露骨に彷彿とさせやすいものは排除していた為です。 |
From a setting standpoint, yes, there are Telemos in the First Tower too. It's just that when we were creating Ar tonelico 1, I was under the bias of making it "look as a very fantasy-styled world" (which also was due to promotional reasons, as at the time, there was the trend of fantasy RPGs giving better impressions than those taking place in modern era settings). Therefore, we were forced to remove everything that seemed to have a large resemblance to our modern era technologies. |
星巡りの相性の欄に記述がある豊穣獅姫=ハーヴェスターシャや武天=マオにはどんな意味もしくは逸話があるのですか? |
There are any particular anecdotes on the meaning of the compabilities in the Starcircling table, such as Hojoushiki = Harvestasha and Buten = Maoh? |
名は体を表すの如く、ハーヴェスターシャは「大地の巫女」的なもので、マオは「勇敢なる戦士」です。その逸話は各地方で幾つかありますが、大抵はその名の示すとおり、ハーヴェスターシャは巫女的な、マオは戦争での勝利者といった位置づけで描かれます。むしろ、謳う丘~EXEC_HARVESTASYA/.~のような、豊作や巫女的な意味合いが皆無な伝承が残るソル・シエールの世界の方が特異です。マオはメタファルスで良く登場しますが、ソル・クラスタでも武天として登場します。ラプランカはメタファルス特有の伝承人物で、他の世界ではまず登場しません。 |
It's basically that their names mean what their kanji say: Harvestasha means "Priestess of the Land", and Maoh means "Heroic Warrior". There are several anecdotes for all of them, but generally speaking, Harvestasha excelled as a priestess while Maoh excelled as a warrior. In contrast, the region of Sol Ciel is very peculiar because of the fact that no legends remain in there that have the implications of Harvestasha being a priestess that prayed for abundant crops, such as Singing Hill ~EXEC_HARVESTASYA/.~ was. Maoh appears in many of Metafalss' myths, although he also appears in the myths of Sol Cluster as Buten. However, given that Rhaplanca is a mythological figure exclusive to Metafalss, she doesn't appear in the myths of any of the other regions. |
前回もお答えいただきありがとうございました。今回は塔の出力についてです。 |
Thank you for answering my questions from the last time. This time, I have a question about the power output of the Towers. |
まずメタファリカに必要な出力は、ティリアの塔のみならずメタ・ファルスにおいても不可能とされる流量です。その裏付けとしてラキがネネシャの死をもってまで阻止していますが、あのまま謳い続けていればフレリアの死=第二塔消滅だったわけです。フレリアは第一塔アルトネリコと繋がっていますが、そこから引き出せる量が、メタファリカの消費量を下回る為です(第一塔<>第二塔の極太中継網でも導力転送量が追いつきません)。その問題を解決する為にも、インフェル・ピラは導力貯留施設であり、かつメタファリカのターゲットである必要があったと言えます。 |
First, the required power output for Metafalica has a flow rate so high that nothing in either Metafalss or Tyria's Tower would be able to cover it. That is why Raki had to interrupt the song by killing Nenesha as a safety measure, as if the Song continued going in the way it was, Frelia would have died and the Second Tower would have vanished away. Frelia herself is connected to the First Tower of Ar tonelico, but the power she draws from it is nowhere enough the necessary to cover Metafalica's consumption rate (although there's a thick relay network connecting the First and Second Towers, the Symphonic Power transmission is nowhere on the same level). To solve this problem, Infel Phira was configured to have a Symphonic Power battery, which is why it's said it was turned into Metafalica's target since long ago. |
お疲れ様です。 |
Thank you as always for your hard work. |
1ですが、ジャミングというのは強力かつランダムな導体H波を出力し、目標に対し浴びせかける事によって、思考が混乱し、歌が不安定になるものです。 |
1. Jamming is basically an strong emission of random Dynamic H-Waves, which when poured upon a target, causes a large chaos in her thoughts and turns her singing unstable. |
第三世代は人間に比べ平均寿命が短いらしいですが、アルトネ世界の技術力(医療込)が上がれば平均寿命は延びますか? |
While it seems that Third Generations have a very short life in comparison to normal humans, wouldn't it be possible to increase their life expectancy further if the technological strength (and medical care) of the Ar tonelico world increased? |
第三世代の平均寿命が短い理由は、天寿を全うする可能性が著しく低い為です。人間として老化が早まるとか、身体の組成の劣化が激しくなるという事ではありません。ですから、高齢になってからも、より一層慎重かつ厳重なダイキリティの投与を続けていれば、通常の人間と同等に生きられます。大抵の場合、ダイキリティ投与が不規則になったりしたときに生命力を奪われ、老齢になってからは生命力の回復も若い頃ほど活発ではない為、そのまま病死するか、もしくは衰弱した状態から戻らない、という事になってしまうのです。故に、将来的には対処療法、根治療法含めて解決できる問題かとは思います。少なくともアルキアの開発したブロッキング手術は高齢レーヴァテイルには有用ですから、惑星再生後には普及する事でしょう。 |
The reason behind the Third Generations having such a short life span is because the possibilities of them living a full life are extremely low. It might be because they age faster due to being basically human, so there's nothing that can be done about the gradual degradation of their bodies. Therefore, if they are administered the Diquility with much more care the older they get, it's possible they could live as long as normal humans. However, in most cases, the Diquility administration ends up becoming irregular and without following the three-month schedule, which robs them of their life force, and since at old age they have lost the life force replenishment and vigor of their youth, they might end up dying from a disease, or they will become so weak that they wouldn't have any possibilities of recovering. As for medical treatments that could be developed in the future, I think there are a few problems that could get solved aside of it that, but that will take some time. At the very least, the Blocking Operation developed by Archia will be very helpful for advanced-age Reyvateils, and it should spread throughout the world after the Planet has been regenerated. |
いつもお疲れ様です。 |
Thank your for hard work as always. |
1ですが、原理的にはほぼ同じです。フレリアとルカの関係が「ルカをフレリアの型に入れて焼いたクッキー」だとするならば、オリカとミュールは「たまたまミュールと同じ形になったクッキー」です。どちらもその理屈は同じで、ヒュムネコードの同一化による引き出しや認証の重複を利用したものです。 |
1) Yes, they would have a relationship that had almost the same principles. The relationship between Frelia and Luca could be described as "making Luca into a Frelia-shaped cookie and baking it", while the one between Aurica and Mir would be "Aurica turning unexpectedly into a cookie with the same shape as Mir". The theory behind them both is the same, which is also why they are identified with the same Hymn Code, and allow them to use an exact duplicate of their access rights. |
1)アルトネリコ依存体は「A.T.D.」、インフェル・ピラ依存体は「I.P.D.」
では第三塔のレーヴァテイルは上記省略系を使用するとすれば何と呼称するのでしょうか? |
1) If the Reyvateils dependent on Ar tonelico are [ATDs] and the Infel Phira dependents are [IPDs], which would be the appropriate abbreviature for the Reyvateils that depend on the Third Tower? |
1)ですが、厳密に言えばH.D.になります。ハーヴェスターシャは一文節ですから。 |
1) Strictly speaking, they would be HDs. Harvestasha is a single word, after all. |